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  • 1976
    in Madrid and that same year held his first anthological exhibition in Granada at the rooms of the Banco de Granada and the Fundación Rodríguez Acosta In all there were 54 canvasses including some of those painted in the early 1940 s The selection was the work of Miguel Ángel Revilla and Miguel Rodríguez Acosta and the catalogue contained a text by an old friend Miguel Olmedo The first review of the exhibition by Juan Bustos appeared in the Patria newspaper and was followed by a large number of articles by José María Moreno Galván Miguel Logroño A M Campoy José Ladrón de Guevara Santiago Amón Mateo M Revilla Uceda and José Marín Medina as well as an interview with the painter by Justo Navarro and José Carlos Rosales Also in 1976 coinciding with his stay in Granada due to the exhibition Guerrero attended the Tribute to Federico García Lorca in Fuente Vaqueros to which RTVE dedicated a programme directed by Paloma Chamorro This was the beginning of José Guerrero s so called second youth Indeed from then on and throughout the 1980 s he was to be a master to many grateful young artists and his social presence in

    Original URL path: http://www.centroguerrero.org/index.php/1976/53/0/?&L=2 (2016-02-15)
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  • 1980
    and curated by Juan Manuel Bonet represented the definitive accolade in the recognition of Guerrero as one of the principle references in contemporary Spanish painting It was also historically the most influential of his exhibitions accompanied by the design of Diego Lara for the catalogue the presentation by Marcelin Pleynet one of the most important international critics of the time and an emblematic conversation with Pancho Ortuño in which Guerrero

    Original URL path: http://www.centroguerrero.org/index.php/1980/52/0/?&L=2 (2016-02-15)
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  • 1984
    art for the Círculo de Bellas Artes and gave a lecture at the seminar Art seen by Artists organized by Francisco Calvo Serraller in the Palacio de la Magdalena in Santander and was awarded the Gold Medal of Fine Art In the midst of this frenzy of activity Guerrero who had just gone through the unpleasant experience of a colon operation only held one solo exhibition at the Palace gallery

    Original URL path: http://www.centroguerrero.org/index.php/1984/51/0/?&L=2 (2016-02-15)
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  • 1991
    on December 23 Following both logic and his express desire his family scattered his ashes under an Andalusian olive tree in the open After Guerrero s death Francisco Rivas sketched the following character portrait of him in an obituary significantly entitled Pink Shirt and Blue Tie he had a frank smile an understanding smile a mischievous glance and an overflowing contagious vitality He concluded with a paragraph affirming his intellectual

    Original URL path: http://www.centroguerrero.org/index.php/1991/50/0/?&L=2 (2016-02-15)
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  • 2000
    province of Granada as shown by the organization of an anthological exhibition of his work in the Palacio de los Condes de Gabia and the acquisition of two of his works Súplica and Brecha de Víznar III After the artist s death in December 1991 his family finally accepted the plan and the Cultural Department of the Diputación de Granada began serious work on the project in 1992 Its relevance was officially recognized when on 14th May 1993 the Diputación formally accepted the offer of the painter s heirs acknowledging its enormous patrimonial value Since in the meanwhile the Colegio de Niñas Nobles had been ceded to the Euro Arabic University a change of building was proposed to and accepted by the family The new site chosen was the Patria Building that had to be rehabilitated for the purpose and had already been awarded a grant by the Ministry of Education In 1995 the rehabilitation project was awarded to the architect Antonio Jiménez Torrecillas under the supervision of Gustavo Torner and the design of the museum itself to Yolanda Romero Gómez A committee of experts on his work Juan Manuel Bonet María de Corral José Mª Rueda Eduardo Quesada and

    Original URL path: http://www.centroguerrero.org/index.php/2000/49/0/?&L=2 (2016-02-15)
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  • J C Rosales
    the art centre that the Diputación de Granada has dedicated to the painter in Calle Oficios with the aim of preserving the legacy of an exemplary artist of promoting the study of an admirable body of work and at the same time making possible the diffusion of this painting and exemplary valuable aesthetic criteria But I was not just looking at José Guerrero s oils I also discovered the intelligent sober rehabilitation of an old building in a city that forgets its old buildings or restores them in the most unforgiveable manner The rehabilitation and adaptation carried out by the architect Antonio Jiménez Torrecillas under the supervision of Gustavo Torner on the Patria newspaper building is an example of respect and clarity The space of the rooms and the staircase recede in importance before the white surfaces where José Guerrero s brushstrokes rest There is no unnecessary show or mawkish arrogance only space and purity of lines austere materials naked surfaces strict stairways elegance without finery Everything comes together for José Guerrero s oils to be the only the true protagonists and they rest there surrounded by an atmosphere suggesting calm repose serenity and peacefulness These are indispensable qualities that a museum s rooms should but do not always attain I believe that Jiménez Torrecillas has done so And the visitor will appreciate this just as I imagine they will contentedly appreciate the reasonable haemorrhage of colour when they stand before one of Guerrero s paintings whether it be the indigo Blue the blue Expansion or the red Penitents Since last Tuesday Granada has a new place for art and distinguished manners There cannot fail to be critics In this strange city there is always someone ready to criticise the ceaselessly murmur to let the cat of unfounded suspicion out

    Original URL path: http://www.centroguerrero.org/index.php/J_C_Rosales/973/0/?&L=2 (2016-02-15)
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  • Publicaciones
    ver mas Presentación Guerrero Colección Edificio Exposiciones Difusión Actividades Redes Weblog Publicaciones Enlaces Información Los catálogos son un complemento imprescindible de las muestras de arte En nuestro caso procuramos que además sean en sí mismos objetos artísticos con valores específicos de forma que sobre todo en las exposiciones de producción propia cuidamos la edición como una faceta más de la apuesta por mostrar el arte contemporáneo como un trabajo bien

    Original URL path: http://www.centroguerrero.org/index.php/Publications/4/0/?&idPublicacion=103&url=%26no_cache%3D1%26L%3D2%26tx_joseguerreroPublicaciones_pi1%5Bpointer%5D%3D1%26amp%3Bsort%3D (2016-02-15)
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  • Publicaciones
    ver mas Presentación Guerrero Colección Edificio Exposiciones Difusión Actividades Redes Weblog Publicaciones Enlaces Información Los catálogos son un complemento imprescindible de las muestras de arte En nuestro caso procuramos que además sean en sí mismos objetos artísticos con valores específicos de forma que sobre todo en las exposiciones de producción propia cuidamos la edición como una faceta más de la apuesta por mostrar el arte contemporáneo como un trabajo bien

    Original URL path: http://www.centroguerrero.org/index.php/Publications/4/0/?&idPublicacion=107&url=%26no_cache%3D1%26L%3D2%26tx_joseguerreroPublicaciones_pi1%5Bpointer%5D%3D1%26amp%3Bsort%3D (2016-02-15)
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