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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    Author Nicolaes Maes Title Portrait of a Lady Year 1667 Biography Listen Nicolaes Maes son of a prosperous merchant was born in Dordrecht in 1634 He began his training in his native city as a draughtsman completing it in Rembrandt s studio in Amsterdam where he arrived around 1650 Maes first works reveal the influence of his master in the manner of realising the chiaroscuro and the choice of themes These early paintings are religious mythological and genre scenes including Girl leaning out of a Window and Old Woman praying Rijksmuseum Amsterdam In 1653 Maes returned to Dordrecht where one year later he married the widow Adriana Browers remaining there until 1673 Maes was most active and prolific from the 1650s until the start of the following decade and his most creative works were produced around 1656 when he began to focus on the portrait which would continue to be the genre that most interested him throughout the remainder of his career In addition at this period the early influence of Rembrandt was replaced by that of Flemish art Maes painted some of the most important political and military figures of the day as well as members of the upper middle classes Among his most subtle and brilliantly painted works are The Naughty Drummer Boy Museo Thyssen Bornemisza Madrid Interior with a sleeping Maid and her Mistress National Gallery London and Lovers watched by a Girl In 1673 until his death in 1693 Maes lived in Amsterdam Notable late works include the group portrait of Six Deans of the Amsterdam Guild of Surgeons which follows the model developed by Hals and Rembrandt Rijksmuseum Amsterdam Maes closest followers were the Reinier Covijn and Cornelis Bisschop who painted portraits and genre scenes Search Advanced search Featured Products Catalogue of the Madrid Realists

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/360 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    the Holy Face closed The Annunciation Year ca 1390 1400 Author Master Bertram Title Triptych of The Holy Face Year ca 1390 1400 Biography Listen A painter illuminator and sculptor Master Bertram was probably from Minden in Westphalia He lived and worked in Hamburg where he established a flourishing and prosperous workshop that employed a large number of assistants and received numerous commissions Master Bertram visited Lübeck in 1375 and made a trip to Rome around 1390 which did not however influence his style He also seems to have travelled to the Holy Land His style is characterised by a smooth modelling of the draperies and the figures which are however solid and heavy in a manner recalling Master Theodoric of Prague and which has led to the suggestion that Master Bertram trained in Bohemia This artist was an important figure due to the influence of his style and oeuvre on subsequent generations of painters in northern Germany and particularly in Hamburg The earliest work attributed to him consists of three miniatures in a missal Pierpont Morgan Library New York Master Bertram s masterpiece is the Grabow Altarpiece originally in the church of Saint Peter in Hamburg completed in 1383 Combining painting and sculpture it has been a key element in establishing this artist s oeuvre Among the panels now attributed to Master Bertram is the triptych in the Hamburg Kunsthalle painted for the monastery at Buxtehude and typical of the artist s late style Master Bertram died in Hamburg between February 1414 and May 1415 Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Joan Mates Active between 1391 and 1431 Anonymous German Artist active

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/68 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    was active in the third quarter of the 14th century in western Emilia and probably also lower Lombardy His artistic personality has been reconstructed through a group of works formerly part of a polyptych that was probably painted for a Franciscan church These compositions are now divided between various museums the central panel of The Coronation of the Virgin with five Angels is in the Museo Thyssen Bornemisza Madrid the left wing with Saint Louis of Toulouse and Saint John the Baptist is in the Galleria Robolzi in Monte Carlo and the right wing with Saint Anthony of Padua is in a private collection in France It was Boskovits in 1990 who gave this artist his present name based on the inscription that appears on the panelin Madrid and which includes the date of 1355 This master must have trained between 1330 and 1340 and his style reveals some similarities with the altarpiece in the Brera Milan signed by Jacopino and Bartolomeo da Reggio and depicting The Crucifixion The Annunciation and thirty figures of saints This painter s style can also be compared to that of the Master of the Coronation of Saint Lawrence named after a painting of that title in Piacenza His style combines the expressivity of Trecento Bolognese painting with the influence of Tommaso da Modena but with a greater interest in a gentle naturalism strong modelling and an elegance of line that has less in common with the above mentioned sources The artist is also thought to have painted Saint George freeing the Princess in Fidenza cathedral a work that reveals an interest in naturalistic and descriptive details as well as the use of an incisive drawn line Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/361 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    Forlì Born Dead Active in Emilia Romagna ca 1300 Date Works Author Master of Forlì Title The Descent from the Cross Year ca 1300 05 Biography Listen This artist s oeuvre was initially reconstructed by Richard Offner who gave the artist the name of the Master of the Griggs Disrobing Both Offner and Sandberg Vavalà concluded that this artist was Bolognese However Garrison identified three paintings in the Pinacoteca at Forlì as by his hand and concluded that the artist was from that city while also working in Ravenna and Ferrara and even Venice The Master of Forlì s style combined influences from Emilia Romagna with Venetian ones and he may have trained in the workshop of an anonymous local artist of the late 13th century known as the Master of Faenza His work reveals the influence of painters such as Giuliano and Pietro da Rimini while his approach to composition and iconography looks to Giotto who was working in Rimini in the early 14th century The Master of Forlì s works are small carefully painted panels intended for private devotion They include The Burial of Christ and The Flagellation The Metropolitan Museum of Art New York and The Death of the Virgin a Crucifixion and Four Saints Pinacoteca Comunale Forlì Garrison considered the Master of Forlì to be a markedly traditional artist but Sandberg Vavalà and Pope Hennessy noted that his dependence on earlier tradition and slowness to absorb innovations had been exaggerated and in fact that this painter was an important figure within Trecento painting produced in Emilia Romagna Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Anonymous German Artist active in the

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/362 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    1490 and 1520 The date of his birth in 1460 has been established on the basis of an inscription on the frame of the Self portrait with the Artist s Wife Koninklijk Museum voor Schone Kunsten Antwerp in which the artist recorded the date of execution and his age at that date The Master of Frankfurt received two commissions from the city of Frankfurt The Holy Kinship Historisches Museum Frankfurt of 1505 painted for the Dominican church and The Crucifixion Städelsches Kunstinstitut und Städtische Galerie Frankfurt of 1504 commissioned by the Humbracht gallery one of the leading patrician families in the city The Master of Frankfurt was previously considered to be a German painter until Friedländer defined his style as falling within the Flemish tradition The latest studies on the artist have attempted to identify him as Hendrik van Wueluwe a master active in Antwerp between 1483 and 1533 the year of his death According to surviving documents Van Wueluwe was a prestigious artist who was dean of the painters guild on six occasions and had a workshop with various apprentices He may have been born in Woluwe the city where Van der Goes spent the last years of his life Around fifty works have been attributed to the Master of Frankfurt His traditional conservative style reveals the marked influence of 15th century Netherlandish painting in particular that of Rogier van der Weyden Robert Campin and Hugo van der Goes whose compositions and figures he borrowed His finest works are a group of small panels executed between 1510 and 1520 most of them portraits or depictions of the Virgin and Child No work by the artist or document relating to him is known after 1520 Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/363 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    1500 Date Works Author Master of Grossgmain Title Saint Jerome as a Cardinal Year 1498 Biography Listen This anonymous Austrian artist was active around 1500 His name derives from a now dismantled altarpiece of The Ascension in Grossgmain near Salzburg Nothing is known of his origins Due to stylistic similarities between the work of this painter and that of Rueland Frueauf the Elder some of his works were erroneously attributed to Bartholomäus Zeitblom a fact that has made his work difficult to identify It is now generally accepted that he studied in Frueauf s workshop According to Zimmermann the Master of Grossgmain used the same technique as Frueauf for the decoration of the backgrounds of his works while his manner of inserting the figures and architectural elements which are somewhat constricted within the pictorial space is highly characteristic of his style resulting in a rather artificial perspectival effect The four panels for the Grossgmain commission were part of an altarpiece dedicated to the Virgin Two further works have been tentatively associated with this project depicting The Virgin and Child and Christ as the Salvator Mundi In addition other religious works have been attributed to the Master of Grossgmain including The Virgin and Child enthroned with Saint Thomas and Donors of 1483 and The Coronation of the Virgin both Národní Gallery Prague The Education of Christ Museum of Fine Arts Boston and Saint Jerome Museo Thyssen Bornemisza Madrid The attribution of the Pretschlaipfer Triptych formerly in Berchtesgaderhof Salzburg now Österreichische Galerie Belvedere Vienna is still the subject of debate Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Albrecht Dürer Nuremberg 1471 1528 Bartholomäus Bruyn Wesel or

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/364 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    Staff Jobs Transparency h Home Master of the Thyssen Biography and Works Author Master of the Thyssen Adoration Born Dead Active in Bavaria and Austria ca 1520 Date Works Author Master of the Thyssen Adoration Title The Adoration of the Magi Year ca 1520 Biography Listen In 1967Winzinger attributed The Adoration of the Magi in the Thyssen Bornemisza collection to a new artist whom he called The Master of the Lugano Adoration and to whom he attributed a series of drawings that are close to the style of Wolf Huber The works of this anonymous master were frequently attributed to Huber including the panel in the Museo Thyssen Bornemisza previously considered to be an early work by Huber of around 1520 Winzinger defined the stylistic characteristics of this anonymous artist on the basis of differences between his work and that of Huber and he particularly emphasised the contrasting approach to pictorial space Winzinger also noted the awkward use of perspective visible in the architecture in the Madrid panel and also to be found in the works of Huber and Altdorfer In 1991 Lübbeke confirmed the attribution and concluded that the present artist whom she called The Master of the Thyssen Adoration was probably familiar with Altdorfer s workshop in Ratisbon and Huber s in Passau The corpus of this artist who was probably active in Bavaria and Austria around 1520 is still relatively incomplete Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Anonymous German Artist active ca 1520 Active ca 1520 Anonymous Netherlandish Artist active ca 1520 Active ca 1520 Master of the Thyssen Adoration Active in Bavaria and Austria ca 1520 Tintoretto Venice 1519

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/365 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    the Saint Lucy Legend Title Lamentation Triptych verso Saint Peter left exterior wing Saint Barbara right exterior wing Year ca 1475 Biography Listen This anonymous artist of the generation of Hans Memling derives his name from an altarpiece in the Sint Jakobskerk in Bruges with scenes of the life of that saint Notable within his oeuvre are his depictions of the Virgin and Child with saints such as the example in the Detroit Institute of Arts of The Virgin and Child with Saints Barbara Catherine Cecilia and Ursula The figures are located in a rose garden that refers to Paradise and to the cult of the Virgin of the Rosary The city in the background has been identified as Bruges despite including numerous monasteries and churches that do not exactly correspond to real ones in the city The presence of one of the towers in that view however has enabled this composition to be dated to around 1480 The Pietà Triptych Museo Thyssen Bornemisza Madrid has also been attributed to this painter and again features buildings based on the city of Bruges The style of the Master of the Saint Lucy Legend combines the influence of the great Netherlandish masters such as Van Eyck and Van der Goes with that of Memling in the approach to the composition iconographic types and careful rendering of the backgrounds and landscape In addition some Spanish influence has also been noted and it has been suggested that the artist travelled to the Iberian Peninsula Ann Roberts identified this painter as Jan de Hervy who died before 1512 Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Jacques Daret Tournai ca

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/367 (2016-02-13)
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