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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    Legend Title Master of the Saint Ursula Legend Year ca 1480 Biography Listen It was Friedländer who first studied the life and work of this artist from the southern Low Countries who lived and worked in Bruges in the late 15th century Friedländer attributed to him the panels from an altarpiece with scenes of the life of Saint Ursula Groeningemuseum Bruges originally painted for the Augustinian convent in Bruges The artist s style combines influences of Rogier van der Weyden and Hans Memling of whom the latter was his contemporary while for many years some of his works were attributed to Hugo van der Goes The central panel of the Nativity Triptych of around 1495 1500 Detroit Institute of Arts clearly reveals the influence of Memling s compositions while the left wing which depicts The Visitation recalls Van der Weyden The Master of the Saint Ursula Legend has had few works attributed to him and his only surviving documented painting is The Virgin and Child with three Donors dated 1486 Koninklijk Museum vor Schone Kunsten Antwerp which is one of his most important works Among surviving portraits by this painter is Portrait of a Donor of around 1479 Philadelphia Museum of Art which is traditionally thought to depict Lodovico Portinari and which formed a diptych together with The Virgin and Child Fogg Art Museum Cambridge Mass Many of this artist s works include a depiction of the tower of Bruges Town Hall an element that has been fundamental to reconstructing his career and to establishing a chronology of his works Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Master of the Virgo inter Virgines Active

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/368 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    Works Author Master of the André Madonna Title The Virgin and Child between Angels Year ca 1500 Biography Listen The name given to this anonymous artist is based on a panel of The Virgin depicted more than half length and with a landscape background Musée Jacquemart André Paris Only two further works have been attributed to his hand The Virgin and Child Everhart Museum Scranton Penn and another panel of The Virgin and Child between Angels Museo Thyssen Bornemisza Madrid In the middle ground of these compositions the artist included a city that has been identified as Bruges due to the presence of the bell tower of the cathedral of Notre Dame The style of the Master of the André Madonna looks to that of Jan van Eyck whom he closely followed and that of Petrus Christus while also revealing the influence of his contemporary Gerard David This is the case with the panel in Madrid in which David s style is clearly evident in particular that artist s Virgin and Child with four Angels The Metropolitan Museum New York The Master of the André Madonna worked in a slightly archaic style for the day given that his work does not make use of any of the Renaissance elements and motifs that his contemporaries were incorporating into their paintings in the early years of the 16th century His style reveals a preference for anecdotal detail as well as a use of solemn noble expressions for the figures and an interest in the depiction of the draperies Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Juan de Flandes ca 1465 Palencia 1519 Master of the View

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/369 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    half of the 13th century His oeuvre was first reconstructed by Osvald Sirén who assembled a homogenous group of works that he attributed to the Master of the Magdalen after a panel depicting that saint and episodes from her life in the Galleria dell Accademia Florence Other scholars including Offner Coor Achenbach and Garrison subsequently drew different conclusions and this painter and his workshop continue to be a highly debatable subject with different opinions regarding his corpus Nonetheless it is considered that his style took its starting point from the Florentine Duecento tradition and that he assimilated the influence of Coppo di Marcovaldo and Cimabue The considerable number of existing works by his hand has led to the assumption that he ran an important workshop of a commercial nature with a large number of clients Basing themselves on the principal works attributed to his hand scholars have defined three phases in his career The first and stylistically most archaic is represented by The Virgin and Child enthroned two saints and six scenes from the life of the Virgin Musée des Arts Décoratifs Paris The Virgin and Child Fogg Art Museum Cambridge Mass and The Blumenthal Triptych The Metropolitan Museum of Art New York Dating from the second period which is notably influenced by Coppo di Marcovaldo are The Virgin and Child with Angels Gemäldegalerie Berlin and The Virgin and Child enthroned with Saints Dominic Martin and two Angels Museo Thyssen Bornemisza Madrid The last phase is represented by Mary Magdalen and Saint Luke the Evangelist Galleria dell Accademia Florence The idea that this artist was involved in the decoration of the Florence Baptistery due to its lively narrative style attention to detail and degree of innovation all suggestive of his work has been rejected by some scholars and the issue

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/370 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    the 14th century Date Works Author Master of the Pomposa Chapterhouse Title The Crucifixion Year ca 1320 Biography Listen First identified by Boskovits this painter was active in the early 14th century and was possibly from Padua He was responsible for the paintings in the chapterhouse of the abbey of Pomposa on the banks of the Po His style is considered to indicate a knowledge of the art of the Romagna of Roman mural painting and of Bolognese miniatures of the early Trecento Above all he seems to have been influenced by Giotto s frescoes in the Arena Chapel in Padua Other than the Pomposa frescoes very few works have been attributed to this artist They include The Crucifixion Museo Thyssen Bornemisza Madrid and The Virgin and Child The Metropolitan Museum of Art New York They were previously attributed to Florentine artists until Zeri associated the Madrid panel with another of The Ascension of Christ Musée du Louvre Paris After a rigorous analysis and stylistic comparison of the two temperas with the Pomposa frescoes and the New York panel Zeri concluded that they were all by the same anonymous master known as the Master of the Pomposa Chapterhouse and who could be considered a follower of Giotto This identification has been generally accepted by other scholars and it is considered that the Master of the Pomposa Chapterhouse trained in Giotto s workshop in Padua in the early years of the 14th century He would then have continued his activities in that city but also spent short periods in other artistic centres in northern Italy and established contacts with the art of Emilia Romagna Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/371 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    Listen This Netherlandish painter and printmaker was active in Delft in the late 15th century His name derives from an altarpiece of The Virgin with Saint Catherine Saint Cecilia Saint Ursula and Saint Barbara Rijksmuseum Amsterdam formerly in the convent at Koningsveld near Delft In 1903 Friedländer was the first art historian to attribute a group of works to his hand and to single him out as the most elegant and realistic of the Early Netherlandish painters That author also considered the artist to be the most important of his period and a pioneer of the Dutch school The Master of the Virgo inter Virgines has been identified as Dirc Jansz active between 1474 and 1495 one of two artists referred to in the Delft city archives as active as a painter and printmaker during the last years of the 15th century His work reflects a knowledge of the leading southern Netherlandish painters suggesting that he travelled to that region His style is notably individual and his figures are expressive to the point of hyper realism The Master of the Virgo inter Virgines developed a specific typology for these figures with high pronounced cheekbones long necks and prominent foreheads Notable works by this painter include The Annunciation Boijmans Van Beuningen Museum Rotterdam The Crucifixion Triptych Bowes Museum Barnard Castle The Crucifixion Galleria degli Uffizi Florence and The Adoration of the Magi Triptych Carolino Augusteum Museum Salzburg The provenances of these works suggest that they were foreign commissions indicating that this artist worked beyond local boundaries His masterpiece is The Burial of Christ in the Walker Art Gallery Liverpool Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/372 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    Windows Restoration Educathyssen Educational Programmes Apps Community Mobile apps social media Online Shop Book Publications Gifts Support the Museum Sponsors Friends Volunteers The Museum in Private Corporate Events Press Tourism Professional Channel About Thyssen History Staff Jobs Transparency h Home Follower of the Master Biography and Works Author Follower of the Master of the Virgo inter Virgines Born Dead Date Works Author Follower of the Master of the Virgo inter Virgines Title The Last Supper Year ca 1485 Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Juan de Flandes ca 1465 Palencia 1519 Petrus Christus Baerle Duc ca 1410 Bruges 1475 76 Master of the Saint Lucy Legend Active between 1475 and 1505 Master of the View of Saint Gudule Active in Brussels ca 1470 90 Attributed to the Master of the Magdalen Legend Active in Brussels between ca 1480 ca 1526 Recommended works The Crucifixion Master of the Virgo inter Virgines The Virgin of the dry Tree PetrusChristus Master of the Saint Ursula Legend Master of the Saint Ursula Legend The Virgin and Child

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/373 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    ca 1450 80 Date Works Author Master of the Vision of Saint John Title Saints Cosmas Damian and Pantaleon Year ca 1455 Biography Listen This anonymous painter was active in Cologne between around 1450 and 1480 His name derives from a large panel painting of The Vision of Saint John Wallraf Richartz Museum Cologne Stange was the first art historian to assemble a group of works around this figure whose style reveals the influence of the so called Master of the Darmstadt Passion In addition to the above mentioned panel in Cologne four panels on scenes of the Legend of the True Cross have been attributed to his hand Two are now lost and the other two are in the Westfälisches Landesmuseum in Munster He is also thought to have executed the panel of Saints Cosmas Damian and Pantaleon Museo Thyssen Bornemisza Madrid and another in the Toledo Museum of Art Ohio Painted in the same style are a group of small panels of saints of which two are to be found in the Bayerische Staatsgemäldesammlungen Munich and The Metropolitan Museum of Art New York formerly Kress collection The style of this artist reflects that of the Cologne School in the second half of the 15th century with its typically rigid figures and echoes of the work of Stefan Lochner in the use of the pigments and the bright colours The style of other artistic centres within the Netherlands has also been detected in his work Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Anonymous German Artist active in Westphalia Active in Westphalia early 15th Century Johann Koerbecke ca 1420 Munster 1490 Master Bertram Minden

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/374 (2016-02-13)
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  • El Museo de arte Thyssen-Bornemisza - (Paseo del Prado, 8, Madrid-España)
    Clothing the Naked Year ca 1470 Biography Listen This painter was active in the last quarter of the 15th century In 1926 Friedländer associated him with the panel of The rural Sermon Musée du Louvre Paris which depicts a preaching saint To identify this artist Friedländer used the name of the church of Saint Gudule in Brussels to be seen the background of that painting This artist s approach to composition unites features found in the work of Jan van Eyck and Rogier van der Weyden combined with a highly expressive manner of depicting the figures that suggests German painting His works are identifiable by the precision in the details a slightly nervous touch in the line that emphasises the outlines of the drapery and the rather exaggerated faces and gestures Also evident is an interest in buildings which are generally in the Gothic style Among the panels attributed to this painter are Clothing the Naked Museo Thyssen Bornemisza Madrid The Liberation of Prisoners Musée Cluny Paris two further panels depicting Acts of Mercy and a Portrait of a young Man National Gallery London which includes a depiction of the church of Notre Dame du Sablon Brussels It is thought that this painter ran a prestigious workshop receiving numerous commissions and employing a large number of assistants Works from his studio include the panels of Saint Catherine and the Philosophers Musée des Beaux Arts Dijon and The Presentation of the Virgin Musée d Art Ancien Brussels Search Advanced search Featured Products Catalogue of the Madrid Realists exhibition Spanish Hardcover Add to Basket Catalogue for the Madrid Realists exhibition Spanish Paperback Add to Basket Go to the shop Recommended artists Follower of the Master of the Virgo inter Virgines Master of the Virgo inter Virgines Active in Delft between ca 1483

    Original URL path: http://www.museothyssen.org/en/thyssen/ficha_artista/375 (2016-02-13)
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