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  • Needcompany | Performing arts: Grace Ellen Barkey | MUSH-ROOM
    the masters of weird and Grace Ellen Barkey the president of the movement against melancholy This is just the beginning of the worldwide conceived movement of acceptance of all fungi that were considered potentially dangerous In MUSH ROOM we find ourselves in a forest full of mushrooms These mushrooms unite and rise in rebellion We are alive and kicking Full of exceptional dreams and cosmic wishes Needcompany Hooikaai 35 B

    Original URL path: http://www.needcompany.org/EN/mush-room (2016-02-10)
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  • Needcompany | Performing arts: MaisonDahlBonnema
    the duo Hans Petter Dahl and Anna Sophia Bonnema They are constantly redefining themselves from Love Orgasm through L O Amsterdam to Maison DahlBonnema which opened in 2003 as a virtual concept establishment that launches new collections of ideas in

    Original URL path: http://www.needcompany.org/EN/maisondahlbonnema (2016-02-10)
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  • Needcompany | Performing arts: OHNO Cooperation
    OHNO Cooperation Conversation On The O H N O P O P I C O N O Ontology 2007 They were combined in an OHNO cooperation evening 2008 Variations on the installations and performances have already been shown separately at SPIELART in Munich 2007 Temps d Images Ferme du Buisson 2006 and elsewhere The installations and performances were first shown together as an OHNO cooperation evening at künstlerhaus mousontum Frankfurt

    Original URL path: http://www.needcompany.org/EN/ohno-cooperation (2016-02-10)
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  • Needcompany | Visual arts: Lemm&Barkey | 18 videos
    are concerned with everything but the actual moment They attempt to become an image together with the object and the material and they make a triumph of their failure The images are permeated with questions of material They are signed by Lemm Barkey the name of the joint venture by the artists Lot Lemm and Grace Ellen Barkey They are together engaged in seeking out radical images Grace Ellen Barkey s stage productions are sequences of images that attempt to be autonomous The videos are an in between stage in the archiving of these autonomous images An in between stage because Barkey never wants to achieve her aim She is not interested in solutions but in the problem itself When we look carefully at the images in the installation exhibited we see that there is no logical order The images are intentionally juxtaposed and their interaction leads to yet more sensations The use of a craft both porcelain and knitting and crochet is an important element The materials that pass through the hands of Barkey s partner in crime Lot Lemm are treated in an almost relentlessly hysterical manner and made into something monumental What starts with material bursts its seams to form a bigger story Porcelain objects that become body parts and even link bodies together But also what could be more pointless than a teacup meticulously hand turned from which no tea can be drunk A bra in porcelain is unbearable And is the painstakingly crocheted bear a children s story or a transgressive dream To take an example Lemm Barkey will intentionally give you no answer to this last question If they had known the answer they would not have created the object But then Barkey sets the bodies of her performers counter to these ideas These

    Original URL path: http://www.needcompany.org/EN/18-videos (2016-02-10)
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  • Needcompany | Film
    Portrait 2003 a documentary portrait of Jan Lauwers Hans Petter Dahl Benoît Gob and Jan Lauwers together made the short film Rakvere 2004 after the last performance of Images of Affection An ode to Andy Warhol In The OHNO Cooperation Conversations On The O H N O P O P I C O N O Ontology 2007 Maarten Seghers and Jan Lauwers hold a conversation about art and theatre They

    Original URL path: http://www.needcompany.org/EN/film (2016-02-10)
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  • Needcompany | Film | C-Song
    story It is a story without words or an image that forces itself into the viewer s memory Jan Lauwers This film has already been shown to limited audiences during the Needlapbs at the STUK in Leuven and the Kaaitheater Studios in Brussels as well as during War is Not Art at the Vooruit in Ghent Its official premiere was at the Courtisane short film festival in Ghent in 2004 It was then selected for the 2004 Hamburg International Short Film Festival and in July can be seen in the old water tower in Bredene as part of Grasduinen 02 SMAK aan zee In addition to its independent existence C Song 01 is also part of Jan Lauwers play The Lobster Shop Needcompany Hooikaai 35 B 1000 Brussels Tel 32 2 218 40 75 info needcompany org A film by Jan Lauwers Title C Song 01 Director Scriptwriter Jan Lauwers Actors Victor Lauwers Jelle Vercruysse Hans Petter Dahl Jan Lauwers Camera Maarten van der Put Editor Nico Leunen Sound Designer Senjan Jansen Producer Needcompany in association with Cobblersson inc Senstudio 10 26 beta sp or digital beta stereo C Song 01 02 03 04 and C Song 05 are part of a cycle about the sea Together they form a linear story They were integrated into Jan Lauwers play The Lobster Shop which premiered at the 2006 Avignon Festival C Song reached its climax in the creation of C Song Variations 2007 When a theatre maker like Jan Lauwers turns to the art of film making the act of performing continues to be the focal point but it is redefined in a new and different lexicon Compared to an action on stage when a camera zooms in on the same action it becomes more highly charged and easier to see

    Original URL path: http://www.needcompany.org/EN/c-song (2016-02-10)
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  • Needcompany | Film | C-Song Variations
    take various forms in their own right or linked to a performance and have been shown in various settings theatre art short film Nico Leunen edited the C Songs into a hysterical and fragmentary whole in the short film C Song Variations This is a highly sensory video installation in which sound also plays an important part C Song Variations was previewed at the Centre for Fine Arts April 2007

    Original URL path: http://www.needcompany.org/EN/c-song-variations (2016-02-10)
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  • Needcompany | Film | The Unauthorized Portrait
    first contribution was in fact a rather unusual experiment When shooting Goldfish Game he edited a rough version of the scenes that had been shot each day This created a closed feedback system that enabled both Jan Lauwers and the two photographers to make daily adjustments to their view of how the film should turn out After shooting he worked on for three more months editing Lauwers first full length film During that time an interesting chemical process must have taken place which has since then seen to it that Nico Leunen continues to reprise his role as lost son The results of this include C Song the many recordings of Needcompany performances and Nico s personal portrait of Jan Needcompany Hooikaai 35 B 1000 Brussels Tel 32 2 218 40 75 info needcompany org The Unauthorised Portrait came about after Jan took up the challenge of playing a part in Nico s film The only condition Nico set was that the character would have the same name as Jan Lauwers himself This of course led to what ultimately became a documentary portrait In the whole of the 18 months in which filming took place the only guideline Jan gave

    Original URL path: http://www.needcompany.org/EN/the-unauthorized-portrait (2016-02-10)
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