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  • CONCIERTO CINCO HORAS DE 17 A 22 31 DE AGOSTO DE 2011 MIÉRCOLES en CLUB LE LARRASKITO - Miguel A. García
    21 00 Ateak zabalduko zaizkio publikoari 22 00 Kontzertu amaiera 1 Sarrera IXILTASUNA ESKATUKO DA CLUB LE LARRASKITON izango da Errekalde Larraskitu errepidea 33 4 Bilbao Comentar este artículo En la misma sección blog discontinued miguel a garcía xabier erkizia audiopolis centrocentro madrid spain 8 11 13 20 00 idealstate recordings isr1 13 miguel a garcía tomas gris lee noyes asto ilunno 11 10 13 al karpenter ensemble piñas baterastro

    Original URL path: http://www.xedh.org/miguelagarcia/spip.php?article63 (2016-05-01)
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  • Concierto y presentación de la revista de arte sonoro y culturas aurales “UrsonateFanzine” en Espacio Menosuno (Madrid) - Miguel A. García
    los artistas sonoros más destacados del País Vasco Se sirve de la yuxtaposición de tramas sonoras obtenidas por procesos manuales para la creación de sus piezas Ha compuesto para danza teatro radio vídeo instalaciones y recitales poéticos Ha trabajado conjuntamente con Miguel A García Loty Negarti Rinus Van Alebeek Marianela León Edorta Izarzugaza o Mikelazulo Kultur Elkartea entre otros Su música tiene como características más destacables una gran riqueza y sensibilidad tímbrica y un preciso control de tiempo info http www xedh org larraskito spip php article61 NOISH Barcelona Programador y músico experimental Su trabajo sonoro se basa en la deconstrucción de grabaciones de campo y en el uso creativo de los errores de la tecnología Luthier digital con el entorno de programación pure data con el que desarrolla sus propias herramientas experimentales para el procesado y la composición algorítmica generativa en tiempo real Ubicado en algun lugar entre la Computer Music la estética del Error y el Noise generativo Persiguiendo la construción de universos sonoros autónomos Espacios imaginarios que pretenden abrir vias de escucha activa y expandir una sensibilidad diferente hacia la percepciòn del fenómeno aural Trabaja bajo el paradigma open source Toda su discográfia y código se encuentran publicadas con licencias abiertas en diferentes sellos y netlabels Free Software Series Uzusounds Drone Records tecnoNucleo BRRR ect Su música ha sido escuchada en diferentes espacios y festivales nacionales e internacionales info http noconventions mobi noish hotglue SEBASTIEN BRANCHE Francia Sébastien toca saxofones soprano tenor y C melody Empieza la improvisación en el marco de talleres con músicos de jazz contemporáneo y música improvisada Se interesa por los fenómenos de la percepción considera fundamentalmente el sonido como un material y se describe a si mismo como un hacedor de sonidos Se interesa también por las cuestiones del cuerpo y del

    Original URL path: http://www.xedh.org/miguelagarcia/spip.php?article62 (2016-05-01)
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  • conciertos de improvisación libre en madrid, 4-5-6/02/11 - Miguel A. García
    colaborado con bandas como Art moulu La Cellule d Intervention Metamkine y con musicos como Yann Gourdon Seijiro Murayama Fabrice Césario Tim Hodgkinson David Chiesa o Jérôme Noëtinger info www antez org MATHIEU CALLEJAS Músico francés residente en Paris Mathieu Callejas trabaja con percusión y electrónica Actualmente desarrolla numerosos proyectos en torno a la experimentación musical en Francia y en el extranjero Ha actuado con Hugues Vincent Brice Soniano Mathias Delplanque Heddy Boubaker Dafne Vicente Sandoval Dante Feijoo Jasper Stadouders Laurence Williams Alexandra Grimal Lynn Cassiers Quentin Sirjacq Pépito Matéo Xavier Lopez FFT ERROR FFT ERROR es un proyecto de Tsunami Killcore seudónimo de la productora y cantautora Sofía NM Con un background en música electroacústica noise y proto punk FFT ERROR se mueve entre la estética del punk rock y la electrónica mas áspera construyéndose en gruesas capas de guitarra y power riffs beats oscuros y voces agresivas info ffterror com MIGUEL A GARCÍA El trabajo del artista vasco Miguel A García trata sobre el sonido y su organización formal en un camino intermedio entre la improvisación libre y la composición electroacústica Formado en Bellas Artes y tecnología audiovisual ha sido artífice de proyectos como Xedh Baba Llaga o Válvula Antirretorno Sus trabajos han sido editados en sellos de todo el mundo y su propuesta de directo le ha llevado a museos galerías y festivales de varios países info www xedh org ARTUR VIDAL Nacido en León Artur Vidal se crió en París donde estudió Historia del Arte en la Universidad de París 1 Con Francisco López Lê Quan Ninh Fred Frith y Eddie Prevost entre otros siguió numerosos cursos y talleres musicales en diversos lugares del mundo Capadoccia Amazonas Paris Trièves Sus actividades en el arte sonoro se basan en grabaciones de campo danza obras site specific y

    Original URL path: http://www.xedh.org/miguelagarcia/spip.php?article41 (2016-05-01)
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  • cooloola monster live at Next Fest 27/06/10 - Miguel A. García
    la misma sección blog discontinued miguel a garcía xabier erkizia audiopolis centrocentro madrid spain 8 11 13 20 00 idealstate recordings isr1 13 miguel a garcía tomas gris lee noyes asto ilunno 11 10 13 al karpenter ensemble piñas baterastro RxFxSx xedh hika ateneo bilbao 7 10 13 miguel a garcía hector rey anti liburudenda 2 de mayo 2 bilbao basque country rmo rmomag02 miguel a garcía la axacra h

    Original URL path: http://www.xedh.org/miguelagarcia/spip.php?article15 (2016-05-01)
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  • copy for your records [CFYRL04] miguel a. garcia & richard kamerman . HOMOPHEST 20110921 - Miguel A. García
    the time The piece opens with large expanses of silence punctuated by distant outside voices maybe some footsteps and eventually the rattle and clatter of Kamerman s motorised bits and pieces For quite a while we hear very little and a very tense silence holds sway over the room The small additions from Kamerman and then soon after using raw sometimes undulating electronic tones the contributions from Garcia very gradually begin to expand flicking on and off between periods of activity and silence Garcia s polluted white noise resembling a jet engine in need of a good retuning builds to a state that it obliterates everything else only to suddenly cut off at around the sixteen minute mark just for a few seconds into which someone Garcia an audience member inserts a single vocal whoop of the kind that usually quite annoyingly follows the louder sections of the harsh noise performances I have witnessed in the past I could easily do without the whoop here really as the drop into silence seems far more interesting than someone s response to the rush of noise but as this is a live recording this inclusion adds something very simple and present to the music reminding us very clearly that this is a capture of a live event and there are people involved sounds do not move themselves around into nice structures on their own Garcia s roar returns after a few seconds and stays about again for another minute or so before again cutting dead this time leaving the awkward percussive rattling of Kamerman s toys to occupy the space alone This peel back and reveal technique as old hat as it may be works very well for me and signals in a long period of once again very quiet music as Garcia remains silent and Kamerman lets just the slightest of mechanical clinks and taps to appear for quite some time Things slowly develop again though never to the same extremes of density until the dying minute of the set when after a very nice period of interplay the heavy roar closes out the performance for twenty seconds or so Then we are treated to another couple of yelps exclamations and odd laughter from a somewhat annoying deep American accented voice sorry if its someone I know and about half a dozen people clap Presumably the audience numbers weren t that high but that s a shame as the performance was probably very good to witness in the room On CD there is a sense of heavy intensity and atmosphere present inevitably a reflection of what was felt in the concert space Its an engaging listen managing both through the character of the recording and through the additional vocal contributions to transport the listener to what we might consider the room in which the gig was played to be like so putting a visual picture of the muss canto my head as well as an aural one which is quite an

    Original URL path: http://www.xedh.org/miguelagarcia/spip.php?article88 (2016-05-01)
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  • crónica electronica [crónica 074-2013] miguel a. garcía / duran vazquez . monnom / hertz, gigahertz - Miguel A. García
    mario bastian DOWNLOAD AIFF DOWNLOAD MP3 Comentar este artículo En la misma sección blog discontinued miguel a garcía xabier erkizia audiopolis centrocentro madrid spain 8 11 13 20 00 idealstate recordings isr1 13 miguel a garcía tomas gris lee noyes asto ilunno 11 10 13 al karpenter ensemble piñas baterastro RxFxSx xedh hika ateneo bilbao 7 10 13 miguel a garcía hector rey anti liburudenda 2 de mayo 2 bilbao

    Original URL path: http://www.xedh.org/miguelagarcia/spip.php?article133 (2016-05-01)
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  • crustaces tapes [crustaces #2] by miguel a. garcía & tomás grís - Miguel A. García
    I thought but hey the idea behind such a release is quite nice Now we may need for some concentrated effort in the music which I doubt will be easy since the free nature of the project Unless that s the idea of course FdW Address http crustaces bandcamp com repondre message crustaces tapes crustaces 2 by miguel a garcía tomás grís 4 de abril de 2012 11 51 http cassettegods blogspot fr CRUSTACÉS 2 Miguel A Garcia Tomás Gris 10C The second release from Crustacés Tapes features joined improvisations by the two Madrid based avantgarde players Miguel A Garcia and Tomás Gris The two sides of the tape seems to be one take improvisations no overdubs with the two gents going bonkers on a number of instruments including a saxophone some sort of feedback setup involving effects along with various percussion items The music is classic free improv in the sense that there s no discernible pulse no recognisable repetitions or any form of tonality instead the music focuses on creating interesting abstract textures and sonic exchanges between the players The exchanges maintain the feeling of abstract communication between the players who stick to a musical language that uses pauses as an important part of the expression With regards to the textural diversity and energy the tape is successfully interesting throughout On the negative side the anti stylistic avoidance of anything remotely associated with known styles of music prevents the players from delivering more musically sensical utterings giving the recordings a strong sense of being the babblings of two incoherent madmen But despite this the fact that I have no idea what they re actually on about used as a 10 minute avantgardist pick me up the tape is a rather refreshing listen Also I should note that the

    Original URL path: http://www.xedh.org/miguelagarcia/spip.php?article85 (2016-05-01)
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  • discos invisibles [dimo014] sobornost . dekestemfets - Miguel A. García
    Oier I A recorded in Audiovisions Estudio Barcelona 15 06 2009 Miguel A Garcia www xedh org Iker Ormazabal soizu blogspot com Juan Mota www radiobronka info ftb Oier I A oieria gmail com Noish noconventions mobi noish Amaia Garrosa soizu blogspot com Diego de Leon diegoeldeleon blogspot com 1 Mensaje http entredosinfiernos blogspot com 2010 07 sobornost dekestemfets html 7 de agosto de 2010 11 27 por miguel a garcia Bajo este extraño nombre ha salido publicado por el net label discos invisibles d i net de Lima San diego una serie de improvisaciones que en su dia grabamos en el estudio Audiovisions en Barcelona en Junio 2009 SOIZU Mikel XEDH Oier Tüsuri Noish Diego de Leon y Mr Hobo C utter el resultado fué mas que satisfactorio repondre message Comentar este artículo En la misma sección blog discontinued miguel a garcía xabier erkizia audiopolis centrocentro madrid spain 8 11 13 20 00 idealstate recordings isr1 13 miguel a garcía tomas gris lee noyes asto ilunno 11 10 13 al karpenter ensemble piñas baterastro RxFxSx xedh hika ateneo bilbao 7 10 13 miguel a garcía hector rey anti liburudenda 2 de mayo 2 bilbao basque country rmo rmomag02 miguel

    Original URL path: http://www.xedh.org/miguelagarcia/spip.php?article16 (2016-05-01)
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